Profile on Zeid Hamdan: “A musician without vision is no use!”

As Lebanese independent music pioneer Zeid Hamdan prepares for a long-awaited performance with African Harpist/Kora player, Kandjha Kouyate (Guinea) in Beirut on May 17, met Lebanese producer Zeid Hamdan, Beats and Breath has chosen to reblog this post that, while four years old, is equally relevant to discussions of the future of the independent Arab music scene – particularly as the Arab uprisings have opened up an unprecedented space for artistic expression in the Middle East and North Africa. Enjoy!


Beats and Breath features this exclusive interview with Beirut-based musician, producer, composer, and arranger Zeid Hamdan, the pioneer of Lebanon’s alternative music scene. (Editor’s note: In the 2 years since this was published – it is still a relevant discussion of the future of alternative music in Lebanon.)


BEIRUT – Sitting in the confines of Torino (Express) – the bohemian stalwart of a bar in the east-Beirut, SoHo-like Gemayze district – I go through a mental preparation of what to ask Zeid Hamdan, the self-styled gardener of the Lebanese underground music scene.

For me, however, any preparation to interview Zeid Hamdan is less a technical exercise (“Who are your influences?” etc.), and more of a mutual exchange with questions drawn from the near 3 years I’ve known him and seen him work.

I remember the now legendary Mooz Records show (record label headed by Zeid at the…

View original post 2,193 more words

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s