Syrian Revolution and Eslam Jawaad’s response – “Dudd al-Nizam” (Syria)

This post (below) is from Greg Schick, the founder of the site World Hip-Hop Market(dot)com, and it concerns the response to the Syrian revolution by Syrian-Lebanese rapper Eslam Jawaad – whose debut album ‘Mammoth Tusk’ I wrote about for Menassat(dot)com, World Hip-Hop Market, UMen and that was republished here on Beats and Breath in its original form.

Eslam and I have personally been having dialog on the issue as very little credible information has been coming out of Syria. I know that the Syrian government has totally repressed all freedom of speech – arresting dozens of journalists – a practice that, in a lesser form, has been in place in Syria for a long time. A friend of mine, an Algerian journalist Khaled Sid Mohand, was imprisoned by the Syrian authorities from April 9 until two days ago (World Press Freedom Day – oh the symbolism), and he was never a Bashar Al Assad “basher.” So, my questions to Eslam have been along the lines of what is acceptable and what isn’t acceptable about the goings-on in Syria?

My ultimate position is a simple one…to quote NWA: “FUCK THE POLICE!” Of course, the situation is much more nuanced than that, and Eslam has been very active in trying to get people to realize that you can’t believe the hype about the on-going revolution in Syria as presented by the West and their media mouthpieces. On BBC’s ‘World Have Your Say,” I posed the question of whether it was a popular revolution there or not, and whether if, at the end of the day with 74% of the country (Sunni Muslim) being ruled by an Alawi/Alawite minority, it was an appropriate question to be asking if a large percentage of the population are afraid to speak out? I also posed the question on the BBC program of what reporters working in the Arab world – especially Western reporters – were to tell Arab’s on the ground who defend the actions of the Syrian government because they see the state security forces and their strong-arm/brutal tactics as helping to avoid an Iraq-like sectarian civil war/blood bath!?

I still don’t have the answers I want, but the below post is interesting and features a video by Eslam Jawaad that sort of confuses me because I’m not totally sure what he is trying to resolve in the video. As for the Syrian hip-hop response to the revolutions, Eslam wrote in an email to me: “It’s worth mentioning that in Syria the hip-hop movement CHOSE to support bashar. No one is forced to rap about the situation bro. They have the choice to remain silent if they are fearing a whiplash. No one will force you to support so songs coming out are of choice.”

As a friend and colleague that I respect, Eslam is at least providing a different, informed take on the issue of the Syrian revolution and people should take note and join in the debate!

———

By Greg Schick of World Hip-Hop Market(dot)com

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Eslam Jawaad - a pic from 2009

A track inspired by current events in the Middle East and what has been dubbed The Arab Spring. Where Eslam was supportive of the revolutions in other Arab countries, he immediately took a stance against revolution in Syria.

Syria is different than any of the other Arab revolutions as it is the last bastion of resistance to Israeli occupation and American supremacy in the region. Its military agreements with Iran, Hezbollah in Lebanon and Hamas in Palestine mean that there is so much at risk if the regime falls. It could signify the end of the resistance, a civil war in Lebanon, a civil war in Syria, and the further alienation of Iran resulting in a military strike against it.

What was a legitimate call for reforms in Syria has been taken advantage of by what Eslam calls dark forces with hidden agendas. Eslam is fully supportive of the will of the people, and of reforms, but is quick to point out that a total regime change pushed by what seems to be a foreign conspiracy against the country, could be catastrophic, even leading to a possible world war III scenario.

Eslam wants the blood of his country folk preserved and an end to violence while maintaining the balance of power in the middle east, and a commitment to the resistance against occupation.

The System Eslam is against, is that of a new world order, and more specifically, the Neo-Con Plan For A New Middle East.

About jackson allers

J About Jackson …testing the limits of journalism – one story at a time. Since the death of his mother in August of 2009 and since the demise of the news website MENASSAT(dot)com (English Editor, 07′-09′), Jackson has returned to his roots – embracing hip-hop and (African-influenced) soul music in the Middle-East. Archivist, storyteller, reporter, filmmaker and music selecta with the Beirut Groove Collective - Jackson has been organizing and writing about hip-hop and its musical predecessors for nearly 20 years — from Durham, NC to Los Angeles to Houston to New York City to the Balkans and now the Arab world. In 1996, Jackson co-founded the groundbreaking Los Angeles-based production company – Working Class Productions - with the left coast’s most gifted purveyor of soul music – Carlos Niño. From 1996 – 2000, Jackson and Carlos put together some of the most seminal musical collaborations in LA-history – inter-generational events bridging the divides between hip-hop culture and the elders that made them – jumbled in with the new soul springing up in between. Think: Horace Tapscott, Billy Higgins, Pharoah Saunders, Gil Scott-Heron, Brian Jackson, Gary Bartz, Les McCann, Eugene McDaniels, Derf Reklaw, Dwight Trible, Kamau Daáood, Terry Callier, Phil Ranelin, Charles Owens, Jessie Sharps, Dr. Art Davis, Leon Mobley, etc. hip-hop generation DJ Prince Paul, The Original Scheme Team (Divine Styler & Cokni O’Dire), Saul Williams, DJ Shadow, Cut Chemist, DJ Nu-Mark, Abstract Rude, Aceyalone, The Beat Junkies (J-Rocc, DJ Babu), Anti-pop Consortium, BLK Sunshine, Rob Smith, Mike Ladd, Sonic Sum, Huge Voodoo, and the beat goes on… Although Jackson turned to journalism full-time late in 2002, he has maintained his connections to this soul and hip-hop past. Since the Spring of 2006, he’s lived and worked in Beirut as an editor, journalist, and documentary filmmaker. He’s currently working on a book about the rise of Arab hip-hop in the Middle-East and the Diaspora, and has spent the last four years in Beirut focusing particularly on the 961 (Lebanese) hip-hop movement. In 2010, he completed a 15-minute documentary film with Lebanese filmmaker Siska (edited by Wissam Charaf) about two young rappers from the Palestinian refugee camp south of Beirut – Bourj al Barajneh. The film – Life from the BBC – is about the group I-Voice and their struggle to find a backup power generator at their home studio in the camp. Life from the BBC premiered at South by Southwest Music Festival in March 2010 and was an official entry at the Houston Palestine Film Festival in May 2010 and at the Human Rights Film Festival in Beirut, January 2011. It continues to travel and affect those that know nothing about this burgeoning musical resistance movement in the Arab world. IN THE NEWS Since launching the site over one year ago, Beats and Breath has been featured in publications like The National, The Guardian, The Daily Star (Lebanon), The Wall Street Journal and several regional events/culture websites. Television and radio appearances include interviews for CBC, France5, Re-Volt Radio, Pacifica Radio, Free Speech Radio News, Future TV (Lebanon), and Murr TV (MTV). To inquire about interviews or for questions about stories posted on this site, please contact site administrator: jacksonallers@gmail.com View all posts by jackson allers

One Response to “Syrian Revolution and Eslam Jawaad’s response – “Dudd al-Nizam” (Syria)”

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